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mariedeflor: Barbara Stanwyck photographed in a gown by Edith...
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Fellini
Fellini
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tracylord: While shooting exteriors in San Francisco, Myrna,...
While shooting exteriors in San Francisco, Myrna, Bill Powell and his unofficial fiancée Jean Harlow were to stay St. Francis Hotel:
“At the St. Francis in San Francisco, they had reserved a Flyshaker Suite for Bill and me. The management assumed we were married. Already they considered us a couple after only five pictures together! Well, of course it was hysterical. Here was Jean, but we couldn´t be obvious about the situation with the press on our heels. To complicate the matters further, conventioneers had taken every other room except a little hall bedroom downstairs somewhere. I didn´t know what to do, but Jean was marvellous. “There is nothing for you to do,” she said. “We’ll just have to put Bill downstairs.” I never saw this room, so I don’t know how bad it was, but Bill complained bitterly, let me tell you, angling to get upstairs.”
Myrna Loy
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imageinfomood: Duane Michals Jeanne Moreau, 1967
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theniftyfifties: Marilyn Monroe
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mudwerks: (via Secret Beyond the Door… (1947) movie...
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mudwerks: (via Ministry of Fear (1944) Fritz Lang | film noir...
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My filmmaking education consisted of finding out what...
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges’ audio track on the ‘Bad Day at Black Rock’ laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it. –Paul Thomas Anderson
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missmarlenedietrich: Marlene Dietrich screentest - Part 3
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For Fred Astaire
For Fred Astaire
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It’s hilarious, the problems that arise when you’re on the set....
It’s hilarious, the problems that arise when you’re on the set. It’s really funny because you make a complete fool of yourself. I think I know how to use dissolves, the grammar of cinema. But there’s only one place for the camera. That’s the right place. Where is the right place? I don’t know. You get there somehow. - Martin Scorsese
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Can I ask you two a question?
Can I ask you two a question?
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gregorypecks: I made this for you. Yes you. I’m talking to you....
I made this for you. Yes you. I’m talking to you. Point at yourself. Yes, that is who I’m talking you. Whether you’re in Peru, Poland or Pakistan, here’s a gif I made for you at this ungodly hour. I made it because… it’s inspirational, its thought provoking, and its universal. So go ahead, enjoy it. Stare at it. Keep it. Lick it. Be it.
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