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mudwerks: 7000-5007 (by AliceJapan ʕ •ᴥ•ʔ) Camera negative of...
mudwerks:7000-5007 (by AliceJapan ʕ •ᴥ•ʔ)Camera negative of Carole Lombard.
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steamboatbilljr: Joan Crawford in Today We Live, 1933
steamboatbilljr:Joan Crawford in Today We Live, 1933
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Some Lloyd scholars have labelled this moment as the most...
Some Lloyd scholars have labelled this moment as the most “shocking” moment of any Harold Lloyd film. The Hays code was not in force in 1927 when Speedy was made, and it’s possible the censorship board...
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Happy Birthday, Dame Margaret Natalie “Maggie” Smith (28...
Happy Birthday, Dame Margaret Natalie “Maggie” Smith (28 December 1934) Ageing isn’t the nicest thing. You end up feeling like you couldn’t go to Los Angeles because (she stretches the skin of her...
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panbutnotpeter: “The culture at that time was trying to deny...
panbutnotpeter:“The culture at that time was trying to deny that homosexuality even existed, and here they had well known Hollywood players involved in it, so they didn’t want to see what was there....
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mariedeflor: Lucille Ball photographed for Ziegfeld Follies,...
mariedeflor:Lucille Ball photographed for Ziegfeld Follies, 1945
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paddyfitz: Happy Birthday Marie Magdalene Marlene...
paddyfitz:Happy Birthday Marie MagdaleneMarlene DietrichI was an actress. I made films. Finish.“She could easily hold her own. She had the greatest capacity a person can have; she can laugh at...
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Howard Hawks… George Stevens… George Cukor… and, of course,...
Howard Hawks… George Stevens… George Cukor… and, of course, Alfred Hitchcock… Each of those directors permitted me the release of improvisation during the rehearsing of each scene - rather in the...
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terrysmalloy: Jean Harlow photographed by Edwin Bower Hesser,...
terrysmalloy:Jean Harlow photographed by Edwin Bower Hesser, 1928.
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vintagegal: Jean Harlow, Joan Crawford and Constance...
vintagegal:Jean Harlow, Joan Crawford and Constance Bennett in Mickey’s Gala Premier (1933)
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Buster Keaton and Marceline Day, The Cameraman — 1928
Buster Keaton and Marceline Day, The Cameraman— 1928
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